Coldplay Music CD's, DVD's Books Bio Posters

X&Y

Coldplay were faced with a difficult choice as they set to work on X&Y. They could either follow Radioheads lead and use their enormous success and financial security as a springboard to a brave experimental future--or they could play it safe, repeat the tricks used on the 16 million-selling A Rush Of Blood To The Head, and consolidate their position as one of the biggest bands in the world. In truth, despite the Tetris-inspired artwork and presence of teaser track "Talk"--which steals its melody line from electro-futurists Kraftwerks gorgeous "Computer Love"--X&Y is more the latter than the former. Fans will be delighted by "What If?", a piano elegy that takes flight on strings, and slowly builds towards a Beatles' "A Day In The Life"-style climax, while the likes of "Fix You" and hidden track "'Til Kingdom Come"--originally written for country hero Johnny Cash--proves Martins skill for simple, affecting songwriting remains intact. One development, however, comes through the judicious inclusion of some rather pleasant synthesiser work--see "White Shadows", where Martin gently beseeches "Come on love, stay with me" over a gentle Eno-esque keyboard wash. Fair enough: the experimental albums can come later. --Louis Pattison

A Rush of Blood to the Head

On Coldplay's A Rush of Blood to the Head, the melodic excellence of Parachutes remains, as does the delicate soulfulness of Chris Martin's voice. But now different styles are approached, as the band develop even further beyond their debut album (and the numerous Radiohead comparisons that dogged them at first). "God Put a Smile upon Your Face", for instance, has a thumping voodoo quality, while the hypnotic "A Whisper" has a wild vocal arrangement recalling Jefferson Airplane. Beyond this, each of the 11 tracks--from the literate power ballad "In My Place" to the 60s-style mantra "Daylight"--are given room to breathe, gradually reaching an ecstatic crescendo where Martin and that huge Coldplay piano ride over a pulsing rhythm and orchestrations that are powerful but never overblown. "Give me real, don't give me fake" says Martin in the opening "Politik" and it's an appropriately uncompromising demand, for A Rush of Blood... is without doubt the most heartfelt and emotionally liberated album to top the charts in ages. --Dominic Wills --This text refers to the Vinyl edition.

Parachutes

Music doesn't come more touching than Parachutes. With their debut single alone, the emotion-fortified "Shiver", Coldplay proved they could shift between elated and crushed in a breath as singer Chris Martin poured out music's oldest chestnut (unconditional yet unrequited love) with the shakiest of voices and a backdrop of epic guitars that rouse and tug at the heart strings. For 10 tracks on Parachutes, he comes out with these, adding new-found meaning to the most tired and overused rock sentiments--love found, love lost, love unrequited, hurting the ones you love and the struggle that is life--over acoustic guitars and emotionally fraught rock. And for once, all the clichs ring true, thanks to Chris Martin genuinely sounding like a man picking over the bones of his life and soul, coming up with equal parts reasons to be cheerful and seriously depressed. Not that Parachutes is a depressing album; there's too much conviction to the guitars and hope in Martin's words for that. Instead it's a beautifully tender balance that comes as close to perfection as anything that's come before it. --Dan Gennoe